Category: Movie Review

March 18, 2022

Death On the Nile: Poirot A-Woken

by Ted Giese Agatha Christie’s murder mystery about a beautiful heiress, Linnet Doyle née Ridgeway who is murdered on her honeymoon while traveling down Egypt’s Nile River has received a modern update in Kenneth Branagh’s Death on the Nile. Readers of Christie’s 1937 novel and…

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January 18, 2022

Ghostbusters: Calling the Reit Number!

by Rev. Ted Giese A down-on-her-luck single mother, Callie, moves her young nerdy science-obsessed daughter Phoebe and mechanically-inclined teenaged son Trevor to her estranged father’s farmhouse to settle his affairs after his sudden death. The dilapidated farmhouse holds secrets to a mystery slowly uncovered by…

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December 20, 2021

The French Dispatch: Colourful, Obsessive Show-and-Tell

by Ted Giese Set in the fictional French town of Ennui-sur-Blasé, Wes Anderson’s The French Dispatch chronicles the publication of the last edition of “The French Dispatch,” a supplement in a fictional New Yorker-style magazine called the Evening Sun. The magazine is headquartered in Liberty,…

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December 9, 2021

Dune: A Sublime yet Bleak Adaptation

by Ted Giese Focusing on the first half of Frank Herbert’s 1965 science fiction novel, Denis Villeneuve’s adaptation of Dune chronicles a young prince’s tragic coming of age amidst a futuristic struggle for power, resources, and influence between feudalistic nobility and specialized guilds. Noble houses…

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November 17, 2021

No Time to Die: 007’s Swann Song

by Ted Giese This is the end. Hold your breath and count to ten. At least, it’s the definitive end of Daniel Craig as James Bond. Following the events of 2015’s Spectre, a short-lived but passionate romance with Madeleine Swann, and dropping so far off…

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September 15, 2021

The Suicide Squad: Caught Between Heroic and Psychotic

by Ted Giese In what can be considered a true sequel to David Ayer’s 2006 film Suicide Squad, James Gunn’s 2021 The Suicide Squad clearly benefited from less studio interference. Hamstrung and muddled, Ayer’s film never quite achieved what the director desired to put on…

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