All posts tagged Mount Olive Lutheran Church

August 26, 2026

Looking for a Last-Moment Summer Watch?

Lutheran Church–Canada is pleased to share Rev. Ted Giese’s review of the film The Odyssey, produced by Issues, Etc., and shared with permission. Rev. Ted Giese is the LCC’s Vice President–Elect and pastor of Mount Olive Lutheran Church, Regina Saskatchewan. He has a Bachelor’s Degree…

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March 1, 2024

Mount Olive’s 70th anniversary

REGINA – In 2023, Mount Olive Lutheran Church celebrated its 70th anniversary, and the congregation thanks and praises God for 70 years of blessings.  A logo and memento was designed to commemorate the anniversary, which was made on a 3D printer by Jean and Joy…

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January 18, 2022

Ghostbusters: Calling the Reit Number!

by Rev. Ted Giese A down-on-her-luck single mother, Callie, moves her young nerdy science-obsessed daughter Phoebe and mechanically-inclined teenaged son Trevor to her estranged father’s farmhouse to settle his affairs after his sudden death. The dilapidated farmhouse holds secrets to a mystery slowly uncovered by…

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December 20, 2021

The French Dispatch: Colourful, Obsessive Show-and-Tell

by Ted Giese Set in the fictional French town of Ennui-sur-Blasé, Wes Anderson’s The French Dispatch chronicles the publication of the last edition of “The French Dispatch,” a supplement in a fictional New Yorker-style magazine called the Evening Sun. The magazine is headquartered in Liberty,…

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December 9, 2021

Dune: A Sublime yet Bleak Adaptation

by Ted Giese Focusing on the first half of Frank Herbert’s 1965 science fiction novel, Denis Villeneuve’s adaptation of Dune chronicles a young prince’s tragic coming of age amidst a futuristic struggle for power, resources, and influence between feudalistic nobility and specialized guilds. Noble houses…

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September 15, 2021

The Suicide Squad: Caught Between Heroic and Psychotic

by Ted Giese In what can be considered a true sequel to David Ayer’s 2006 film Suicide Squad, James Gunn’s 2021 The Suicide Squad clearly benefited from less studio interference. Hamstrung and muddled, Ayer’s film never quite achieved what the director desired to put on…

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